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書誌情報	ファイル
"Full of vigour, & nature, fresh, original, warm from observation of nature, hasty, unpolished, untouched": The Oil Sketches of John Constable Evans, Mark (2017-04) Kyoto Studies in Art History, 2: 111-131
How Paul Cézanne Rejected the Fini Concept Nagaï, Takanori (2017-04) Kyoto Studies in Art History, 2: 133-147
Cover, Contents, The Authors (2017-04) Kyoto Studies in Art History, 2
Originality, Spontaneity, and Sincerity: The Rise of the Sketch in France at the Turn of the Nineteenth Century Myers, Nicole R. (2017-04) Kyoto Studies in Art History, 2: 99-110
Connection between Rough Brushstrokes and Vulgar Subjects in Seventeenth-Century Netherlandish Paintings Fukaya, Michiko (2017-04) Kyoto Studies in Art History, 2: 55-71
Genius, Inspiration, and Hands: Pre-Romantic Image of Artists and Fantasy Figures by Fragonard Yoshida, Tomoko (2017-04) Kyoto Studies in Art History, 2: 83-97
Rembrandt in Kassel: The Relativity of Eighteenth-Century Connoisseurship Weber, Gregor J. M. (2017-04) Kyoto Studies in Art History, 2: 73-82
The Hands of Rubens: On Copies and Their Reception Büttner, Nils (2017-04) Kyoto Studies in Art History, 2: 41-53
Rubens and the History of the Oil Sketch Nakamura, Toshiharu (2017-04) Kyoto Studies in Art History, 2: 19-40
Albrecht Dürer's The Desperate Man: Fleeting Images and the Creating Hand Hirakawa, Kayo (2017-04) Kyoto Studies in Art History, 2: 3-18