書誌情報	ファイル
Albrecht Dürer's The Desperate Man: Fleeting Images and the Creating Hand   Hirakawa, Kayo (2017-04)   Kyoto Studies in Art History, 2: 3-18
Rubens and the History of the Oil Sketch   Nakamura, Toshiharu (2017-04)   Kyoto Studies in Art History, 2: 19-40
The Hands of Rubens: On Copies and Their Reception   Büttner, Nils (2017-04)   Kyoto Studies in Art History, 2: 41-53
Connection between Rough Brushstrokes and Vulgar Subjects in Seventeenth-Century Netherlandish Paintings   Fukaya, Michiko (2017-04)   Kyoto Studies in Art History, 2: 55-71
Rembrandt in Kassel: The Relativity of Eighteenth-Century Connoisseurship   Weber, Gregor J. M. (2017-04)   Kyoto Studies in Art History, 2: 73-82
Genius, Inspiration, and Hands: Pre-Romantic Image of Artists and Fantasy Figures by Fragonard   Yoshida, Tomoko (2017-04)   Kyoto Studies in Art History, 2: 83-97
Originality, Spontaneity, and Sincerity: The Rise of the Sketch in France at the Turn of the Nineteenth Century   Myers, Nicole R. (2017-04)   Kyoto Studies in Art History, 2: 99-110
"Full of vigour, & nature, fresh, original, warm from observation of nature, hasty, unpolished, untouched": The Oil Sketches of John Constable   Evans, Mark (2017-04)   Kyoto Studies in Art History, 2: 111-131
How Paul Cézanne Rejected the Fini Concept   Nagaï, Takanori (2017-04)   Kyoto Studies in Art History, 2: 133-147
Cover, Contents, The Authors    (2017-04)   Kyoto Studies in Art History, 2