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Albrecht Dürer's The Desperate Man: Fleeting Images and the Creating Hand
  Hirakawa, Kayo (2017-04)
  Kyoto Studies in Art History, 2: 3-18
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An Attempt of Interpreting Some Dutch Genre Paintings as a Variation of De Hollandse Tuin and De Hollandse Maagd
  Kobayashi-Sato, Yoriko (2016-03)
  Kyoto Studies in Art History, 1: 85-105
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Connection between Rough Brushstrokes and Vulgar Subjects in Seventeenth-Century Netherlandish Paintings
  Fukaya, Michiko (2017-04)
  Kyoto Studies in Art History, 2: 55-71
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Cover, Contents, The Authors
   (2017-04)
  Kyoto Studies in Art History, 2
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Cover, Contents, The Authors
   (2016-03)
  Kyoto Studies in Art History, 1
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Dutch Painters in Roman Churches in the Early Seventeenth Century: The Entombment of Christ by Dirck van Baburen in the Context of Patronage
  Fukaya, Michiko (2016-03)
  Kyoto Studies in Art History, 1: 107-128
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Frans Hals's Painterly Style and His Tronie-like Genre Paintings: An Examination of the Influence of Flemish Head Studies
  Nakamura, Toshiharu (2016-03)
  Kyoto Studies in Art History, 1: 59-84
"Full of vigour, & nature, fresh, original, warm from observation of nature, hasty, unpolished, untouched": The Oil Sketches of John Constable
  Evans, Mark (2017-04)
  Kyoto Studies in Art History, 2: 111-131
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Genius, Inspiration, and Hands: Pre-Romantic Image of Artists and Fantasy Figures by Fragonard
  Yoshida, Tomoko (2017-04)
  Kyoto Studies in Art History, 2: 83-97
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The Hands of Rubens: On Copies and Their Reception
  Büttner, Nils (2017-04)
  Kyoto Studies in Art History, 2: 41-53
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How Paul Cézanne Rejected the Fini Concept
  Nagaï, Takanori (2017-04)
  Kyoto Studies in Art History, 2: 133-147
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The Man of Sorrows in the Staatliche Kunsthalle Karlsruhe: A Reconsideration of Dürer's Gold-Ground Painting
  Hirakawa, Kayo (2016-03)
  Kyoto Studies in Art History, 1: 3-18
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Originality, Spontaneity, and Sincerity: The Rise of the Sketch in France at the Turn of the Nineteenth Century
  Myers, Nicole R. (2017-04)
  Kyoto Studies in Art History, 2: 99-110
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Rembrandt in Kassel: The Relativity of Eighteenth-Century Connoisseurship
  Weber, Gregor J. M. (2017-04)
  Kyoto Studies in Art History, 2: 73-82
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Rubens and the History of the Oil Sketch
  Nakamura, Toshiharu (2017-04)
  Kyoto Studies in Art History, 2: 19-40
Sacred Art in an Age of Mechanical Reproduction: The Salus Populi Romani Madonna in the World
  Mochizuki, Mia M. (2016-03)
  Kyoto Studies in Art History, 1: 129-144
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Where Has Paris Gone? Sebald Beham's Fountain of Youth Reconsidered
  Yasui, Ayumi (2016-03)
  Kyoto Studies in Art History, 1: 19-35
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Winners and Losers: The Impact of the Reformation on the Art Market
  Tacke, Andreas (2016-03)
  Kyoto Studies in Art History, 1: 37-58
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