帝王の空間 : 唐太宗の「帝京篇十首 并序」をめぐって

Abstract

本稿では.唐の太宗の詩作「帝京篇」について論じている.まず, 詩における典拠や修辞技法から受けた影響を明らかにしている.その上で, 帝王の居所に対する描写のほか, 敗治の理想としての徳化についても示されている.即ち帝王がいる「空間」―宮殿での行事を初めに描き, 最後には封禅の儀式に対する嚮往を示して作品を結んでいる.唐の太宗が作られた「帝京篇」では「帝王」の意識を持った彼の権力の及ぶ空間での行い及び企望が示され, その空問を背景として志を述べている(述志).この空間と志向は帝王としての身分がなければ経験できるものではない.それは題目の「帝京」―「帝」の「京」と呼応している.

This paper focuses on Tang Taizong's Dijingpian (Imperial Capital Poems ), discusses the allusion of the poems and explores the deeper meaning of the contents. The series of the poems Dijingpian" not only described the palace and the activities of the emperor, but also conveyed moralization and teaching in ideal in the ending section. These poems depicted the "space"in which the emperor lived, starting from the palace routines, and ending with a yearning for Fengshan ceremony. In such power space, Tang Taizong's Dijingpian displays the performance and the prospect by an emperor, who was conscious of being a "monarch", which means he attempted to state his ambition in the backdrop where he was in. Such ambition and life in the palace can only be experienced by those with the emperor status, thus it is in concord with the title "Dijing", which means the capital of emperor.