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dc.contributor.author青木, 健ja
dc.contributor.alternativeAOKI, Takeshien
dc.contributor.transcriptionアオキ, タケシja-Kana
dc.date.accessioned2011-03-07T10:11:51Z-
dc.date.available2011-03-07T10:11:51Z-
dc.date.issued2006-12-
dc.identifier.issn0386-9059-
dc.identifier.urihttp://hdl.handle.net/2433/138201-
dc.description.abstractThis study begins with a reexamination of the research of S. Wikander that was conducted 60 years ago on the geographical transition of the iconography of the imperial ideology of the Sassanian kingdom. The study also incorporates the achievements of research on Zoroastrianism, from Wikander to the present day, and then hypotheses that the reason that the Sassanid kings moved their place of pilgrimage to Azerbaijan after the 5th century was associated with the sacred fire, Adur Gusnasp, in Siz and the imperial throne, Takht-i Taqdis. The author has drawn upon evidence from archaeological and written material (in Pahlavi, Arabic, and early-modern Persian) and art historical hypotheses, to create a compilation of fact, legend, and theories on both. As a result, I was able to come up with a chronology based on the weight of the facts. In addition, I sought the reasons for the changes seen in the chronology in light of advances in the study of Zoroastrianism since the time Wikander. As a result the following prospect on the holy fire and the sacred throne were attained. Firstly, the author conjectures that as regards the holy fire, Adur Gusnasp, there was a relationship in which "changes in Zoroastrian thought" resulted in the "modification in imperial ideology of the Sassanid kingdom." In short, there was a chain of influence during the 5th century, from the "linking of the legend of the founder to of Azerbaijan" to "royal pilgrimage to Azerbaijan after the king's enthronement" to the "iconoclastic movement" and finally to the "destruction of stone relief of Xwarnah, symbolizing the right to rule" and the "increase in the importance of the sacred fire of Adur Gusnasp." As regards Takht-i Taqdis on the other hand, it appears to have been a temporary phenomenon based on the initiative of Khosrow II, and I am unable to posit any influence of Zoroastrian thought. The imperial throne can be thought of as an artifact of the attempt by Khosrow II, who held a firm grasp on imperial legitimacy inherited from his grandfather Khusrow I to construct his own imperial ideology free from Zoroastrian thought by highlighting the glory of his military exploits. However, due to a lack of detailed records, it was impossible to specify just what the nature of ideology that might have been.en
dc.format.mimetypeapplication/pdf-
dc.language.isojpn-
dc.publisher東洋史研究会ja
dc.subject.ndc220-
dc.titleサーサーン王朝の皇帝イデオロギーとゾロアスター敎--アードゥル・グシュナスプ聖火とタフテ・タクディース玉座の檢討から (特集 宗敎と權力)ja
dc.title.alternativeThe Imperial Ideology of Sassanid Kingdom and Zoroastrianism, Seen Through an Examination of the Sacred Fire of Ādur Gušnasp and the Imperial Throne of Takht-i Taqdīsen
dc.typejournal article-
dc.type.niitypeJournal Article-
dc.identifier.ncidAN00170019-
dc.identifier.jtitle東洋史研究ja
dc.identifier.volume65-
dc.identifier.issue3-
dc.identifier.spage614-
dc.identifier.epage583-
dc.textversionpublisher-
dc.sortkey03-
dc.identifier.selfDOI10.14989/138201-
dcterms.accessRightsopen access-
dcterms.alternativeサーサーン王朝の皇帝イデオロギーとゾロアスター教--アードゥル・グシュナスプ聖火とタフテ・タクディース玉座の検討から (特集 宗教と権力)ja
dc.identifier.pissn0386-9059-
出現コレクション:65巻3号

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