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| DCフィールド | 値 | 言語 |
|---|---|---|
| dc.contributor.author | 岩城, 秀夫 | ja |
| dc.contributor.alternative | Iwaki, Hideo | en |
| dc.contributor.transcription | イワキ, ヒデオ | ja-Kana |
| dc.date.accessioned | 2013-07-29T07:05:23Z | - |
| dc.date.available | 2013-07-29T07:05:23Z | - |
| dc.date.issued | 1954-10 | - |
| dc.identifier.issn | 0578-0934 | - |
| dc.identifier.uri | http://hdl.handle.net/2433/176572 | - |
| dc.description.abstract | The virility of the drama during the Ming dynasty seems to have been owing to some extent to imperial patronage. The dynasty had been founded by a person originally of the lower class and throughout the age the court reflected its nonaristocratic origins. Though plays dealing with imperial themes were rigorously proscribed and the actions of actresses severely limited by decree, imperial preference for and support of the theater is undeniable. Also, two princes of the blood were playwrights in their own right. | en |
| dc.language.iso | jpn | - |
| dc.publisher | 京都大學文學部中國語學中國文學硏究室 | ja |
| dc.publisher.alternative | DEPARTMENT OF CHINESE LANGUAGE AND LITERATURE, FACULTY OF LETTERS, KYOTO UNIVERSITY | en |
| dc.rights | 未許諾のため本文はありません | ja |
| dc.subject.ndc | 920 | - |
| dc.title | 明の宮廷と演劇 | ja |
| dc.title.alternative | The Ming Court and the Ming Dynasty Theater | en |
| dc.type | departmental bulletin paper | - |
| dc.type.niitype | Departmental Bulletin Paper | - |
| dc.identifier.ncid | AN0014550X | - |
| dc.identifier.jtitle | 中國文學報 | ja |
| dc.identifier.volume | 1 | - |
| dc.identifier.spage | 113 | - |
| dc.identifier.epage | 132 | - |
| dc.textversion | none | - |
| dc.sortkey | 07 | - |
| dc.address | 京都大學 | ja |
| dcterms.accessRights | metadata only access | - |
| dc.identifier.pissn | 0578-0934 | - |
| dc.identifier.jtitle-alternative | JOURNAL OF CHINESE LITERATURE | en |
| 出現コレクション: | 第1册 | |
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