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dc.contributor.author岡本, 不二明ja
dc.contributor.alternativeOkamoto, Fujiakien
dc.contributor.transcriptionオカモト, フジアキja-Kana
dc.date.accessioned2013-08-09T05:16:38Z-
dc.date.available2013-08-09T05:16:38Z-
dc.date.issued1986-10-
dc.identifier.issn0578-0934-
dc.identifier.urihttp://hdl.handle.net/2433/177422-
dc.description.abstractLiao Chai Chih I, Gothic Romance written by P'u Sung-ling (蒲松齡) in the early eighteenth century, has been adapted into plays by many dramatists. It is, I think, because the conversation in Liao Chai Chih I is exceedingly dramatic. I shall, for example, analyze the scene in which Wang Kuei-an (王桂菴)'s humorous expressions cause unimagined crisis; the scene in which Wang Ch'êng (王成) plays a thrilling action; and the scene in which Ying Ning (嬰寧) plays with words. What I intend to point out are the dramatic elements in the conversations in Liao Chai Chih I. The dramatic elements come from P'u Sung-ling's deep insights into common man's acts and psychology. That's why Liao Chai Chih I is not restricted only by the genre of novel, but can also be trans-formed into plays, bardic songs and folk tales.en
dc.format.mimetypeapplication/pdf-
dc.language.isojpn-
dc.publisher京都大學文學部中國語學中國文學硏究室內中國文學會ja
dc.publisher.alternativeCHINESE LITERATURE ASSOCIATION, DEPARTMENT OF CHINESE LANGUAGE AND LITERATURE, FACULTY OF LETTERS, KYÔTO UNIVERSITYen
dc.subject.ndc920-
dc.title「聊齋志異」の會話表現についてja
dc.title.alternativeOn Conversation in Liao Chai Chih Ien
dc.typedepartmental bulletin paper-
dc.type.niitypeDepartmental Bulletin Paper-
dc.identifier.ncidAN0014550X-
dc.identifier.jtitle中國文學報ja
dc.identifier.volume37-
dc.identifier.spage94-
dc.identifier.epage121-
dc.textversionpublisher-
dc.sortkey06-
dc.address鹿兒島縣立短期大學ja
dc.identifier.selfDOI10.14989/177422-
dcterms.accessRightsopen access-
dcterms.alternative「聊斉志異」の会話表現についてja
dc.identifier.pissn0578-0934-
dc.identifier.jtitle-alternativeJOURNAL OF CHINESE LITERATUREen
出現コレクション:第37册

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