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| DCフィールド | 値 | 言語 |
|---|---|---|
| dc.contributor.author | 張, 少康 | ja |
| dc.date.accessioned | 2013-08-15T06:59:59Z | - |
| dc.date.available | 2013-08-15T06:59:59Z | - |
| dc.date.issued | 1992-10 | - |
| dc.identifier.issn | 0578-0934 | - |
| dc.identifier.uri | http://hdl.handle.net/2433/177531 | - |
| dc.description.abstract | The paper traces and analyzes in details the mutual influence between poetics and theory of drawing in their development in ancient China. It reveals that poetics of various ages was closely related to drawing theory of the times, and there is no possibility to clarify the real development of the former without a knowledge of the latter. The author further argues that in order to probe deeply into the history of Chinese literary criticism, we should combine it with the study of the history of artistic criticism, which includes the theories of drawing, calligraphy, music, etc. | en |
| dc.language.iso | jpn | - |
| dc.publisher | 京都大學文學部中國語學中國文學硏究室內中國文學會 | ja |
| dc.publisher.alternative | CHINESE LITERATURE ASSOCIATION, DEPARTMENT OF CHINESE LANGUAGE AND LITERATURE, FACULTY OF LETTERS, KYÔTO UNIVERSITY | en |
| dc.rights | 未許諾のため本文はありません | ja |
| dc.subject.ndc | 920 | - |
| dc.title | 中國古代的詩論和畫論 | ja |
| dc.title.alternative | Poetics and theory of drawing in ancient China | en |
| dc.type | departmental bulletin paper | - |
| dc.type.niitype | Departmental Bulletin Paper | - |
| dc.identifier.ncid | AN0014550X | - |
| dc.identifier.jtitle | 中國文學報 | ja |
| dc.identifier.volume | 45 | - |
| dc.identifier.spage | 23 | - |
| dc.identifier.epage | 31 | - |
| dc.textversion | none | - |
| dc.sortkey | 03 | - |
| dc.address | 北京大學 | ja |
| dcterms.accessRights | metadata only access | - |
| dcterms.alternative | 中国古代的詩論和画論 | ja |
| dc.identifier.pissn | 0578-0934 | - |
| dc.identifier.jtitle-alternative | JOURNAL OF CHINESE LITERATURE | en |
| 出現コレクション: | 第45册 | |
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