「杜甫遊春」の系譜 : 民間における杜甫像の形成

Abstract

About both of the Yuan Zaju 元雜劇 and the theater of Ming 明 dynasty, "the exploration into the spring" (You chun 遊春) in Qujiang chi 曲江池 is an important theme about Du Fu, and many quotations of Du Fu's "Qujiang, two poems 曲江二首" can be seen in the Yuan Zaju. Many poetry entitled the "Du Fu You Chun 杜甫遊春" also can be seen in the works of the intellectual after Song 宋 dynasty. There, Du Fu who rides on a donkey on a bridge becomes a subject matter. That such poetry was made originates in the "Du Fu You Chun" having been an important motif of drawing. However, a bridge and a donkey seldom come out in Du Fu's poetry. On the other hand, There are also many poetry and dramas which connected the Ba 灞 bridge and the donkey to Meng Haoran 孟浩然. These facts cause from the famous fact which Zheng Qing 鄭綮 said the poet must ride a donkey in snow beside a bridge to make poetry, and it was thought that Du Fu corresponded to the poet at the beginning, but It changes to Meng Haoran behind, and about Du Fu, an image called the poet who rides on a donkey is connected with "Qujiang, two poems, " and is considered that "You chun" in Qujiang chi became an important theme.