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DCフィールド | 値 | 言語 |
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dc.contributor.author | 金, 悠進 | ja |
dc.contributor.alternative | KIM, Yujin | en |
dc.contributor.transcription | キム, ユジン | ja |
dc.date.accessioned | 2017-08-10T07:10:56Z | - |
dc.date.available | 2017-08-10T07:10:56Z | - |
dc.date.issued | 2017-07-31 | - |
dc.identifier.issn | 0563-8682 | - |
dc.identifier.uri | http://hdl.handle.net/2433/226734 | - |
dc.description.abstract | This paper will show that one of the decisive factors in the rise of Ridwan Kamil as the mayor of Bandung is the sociocultural context of the city. The daily cultural practices of urban apolitical "ordinary" young people have been historically developed into or conceptualized as "creative" (kreatif). The term "kreatif" itself is ambiguous and could include anything new and different. Ridwan Kamil, as a political outsider with no strong political base, has shrewdly and successfully exploited the ambiguous concept of kreatif to increase his popularity among the urban citizens in Bandung. Bandung has been described as a thriving cosmopolitan city during the colonial period. Urban young people in the city were depoliticized but able to enjoy Western popular culture under the Suharto regime. Especially since 1990, they have built independent music and clothing labels to develop the local indie scene. Ridwan Kamil, as an architect, has supported creative industries, including fashion and music. He has successfully changed the mindset of citizens to become the mayor of Bandung through creative festivals. | en |
dc.format.mimetype | application/pdf | - |
dc.language.iso | jpn | - |
dc.publisher | 京都大学東南アジア地域研究研究所 | ja |
dc.publisher.alternative | Center for Southeast Asian Studies, Kyoto University (CSEAS), Kyoto University | en |
dc.rights | ©京都大学東南アジア地域研究研究所 2017/ © 2017 By Center for Southeast Asian Studies, Kyoto University | ja |
dc.subject | Bandung | en |
dc.subject | creative (creativity) | en |
dc.subject | ordinary young people | en |
dc.subject | cultural practice | en |
dc.subject | outsider | en |
dc.subject | Ridwan Kamil | en |
dc.subject | バンドン | ja |
dc.subject | クリエイティブ(創造性) | ja |
dc.subject | ふつうの若者 | ja |
dc.subject | 文化実践 | ja |
dc.subject | アウトサイダー | ja |
dc.subject | リドワン・カミル | ja |
dc.subject.ndc | 292.3 | - |
dc.title | 「創造都市」の創造 --バンドンにおける若者の文化実践とアウトサイダーの台頭-- | ja |
dc.title.alternative | Invention of "Creative City": Youth Cultural Practicesand the Rise of an Outsider in Bandung | en |
dc.type | departmental bulletin paper | - |
dc.type.niitype | Departmental Bulletin Paper | - |
dc.identifier.ncid | AN00166463 | - |
dc.identifier.jtitle | 東南アジア研究 | ja |
dc.identifier.volume | 55 | - |
dc.identifier.issue | 1 | - |
dc.identifier.spage | 71 | - |
dc.identifier.epage | 102 | - |
dc.relation.doi | 10.20495/tak.55.1_71 | - |
dc.textversion | publisher | - |
dc.sortkey | 04 | - |
dc.address | 京都大学大学院アジア・アフリカ地域研究研究科 | ja |
dc.address.alternative | Graduate School of Asian and African Area Studies, Kyoto University | en |
dcterms.accessRights | open access | - |
dc.identifier.jtitle-alternative | Japanese Journal of Southeast Asian Studies | en |
出現コレクション: | Vol.55 No.1 |
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