第5章 : 華語文芸雑誌『蕉風』の世界 --総目次（1955-1999年）に見る言語と領域

Abstract

本文根據華文文學雜誌《蕉風》自創刊（1955年11月）至1999年2月暫時停刊期間的488期文章標題清單（收錄在本書中），對馬華文學的發展進行了研究。在其存在的44年中，《蕉風》在內容和形式上經歷了許多變化，這是由許多為其寫作，編輯和出版作出貢獻的人的熱情所推動的。專題文章的陣容表明，該雜誌在發展馬華文學時，對西方和中國文學有濃厚的興趣，對拉美，蘇聯和日本文學有關注，對藝術和電影有興趣，並認識到它與馬來文學的關係。馬華文學隨著時代的需要而發展，對「馬」（馬來語／馬來亞／馬來西亞）和「華」（華文／華人）的含義在不同時期有不同的理解。隨著婆羅洲（尤其是砂拉越）作家的影響越來越大，以及華人作家用馬來語寫作的出現，馬華文學如何進一步發展，將是一個有趣的問題。

This article examines the development of Mahua literature in the Chinese literary magazine Chao Foon. The study is based on a list of article headlines in 488 issues of the magazine from its first issue (November 1955) until its temporary closure in February 1999 (included in this book). In its 44 years of existence, the content and form of Chao Foon has transformed, driven by the enthusiasm of the contributors in the writing, editing and publication of the magazine. The analysis of the feature articles shows that the magazine has developed Mahua literature with a strong interest in Western and Chinese literature, an eye for Latin American, Soviet and Japanese literature, an interest in art and film, and an awareness of its relationship with Malay literature. Mahua literature has evolved in response to the needs of the times, with the meanings associated with ‘ma’ (Malay/Malaya/Malaysia) and ‘hua’ (Chinese) being read differently from time to time. With the growing influence of writers from Borneo (especially Sarawak) and the emergence of Chinese writers writing in Malay, it will be interesting to see how Mahua literature develops further.