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proc.ADADA2022_104.pdf3.91 MBAdobe PDF見る/開く
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dc.contributor.authorHung, Cong, Maien
dc.contributor.authorTosa, Naokoen
dc.contributor.authorKusumi, Takashien
dc.contributor.authorNakatsu, Ryoheien
dc.contributor.alternative土佐, 尚子ja
dc.contributor.alternative楠見, 孝ja
dc.contributor.alternative中津, 良平ja
dc.date.accessioned2023-03-06T06:04:50Z-
dc.date.available2023-03-06T06:04:50Z-
dc.date.issued2022-
dc.identifier.urihttp://hdl.handle.net/2433/279567-
dc.description[2022 International Conference for ADADA + CUMULUS] 26 - 27 November 2022, Onlineen
dc.description.abstractThe history of paintings began with drawing real objects such as landscapes. However, the relationship between artworks and real objects became unclear as time passed. As it is sometimes difficult for ordinary people to understand artworks, especially in the case of abstract paintings, it would be preferable to investigate the relationship between a specific artwork or art style and real objects. On the other hand, AI has made rapid progress in recent years, and new technologies, such as converting photographs into art-like images, called "style transfer, " have emerged. This paper challenges the approach of investigating abstraction in art by studying the relationship between artworks and real objects. We used the methodology of combining the AI style transfer function and psychological experiment.en
dc.language.isoeng-
dc.publisherAsia Digital Art and Design Associationen
dc.rightsThis PDF is deposited under the publisher's permission.en
dc.subjectAbstract arten
dc.subjectStyle transferen
dc.subjectPsychological experimenten
dc.titleAn Approach To Investigate Abstraction in Art Using AI and Psychological Experimenten
dc.typeconference paper-
dc.type.niitypeConference Paper-
dc.identifier.jtitleProceedings of ADADA2022en
dc.identifier.spage104-
dc.identifier.epage109-
dc.textversionpublisher-
dcterms.accessRightsopen access-
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