このアイテムのアクセス数: 146

このアイテムのファイル:
ファイル 記述 サイズフォーマット 
saas.2022.050402.pdf712.12 kBAdobe PDF見る/開く
完全メタデータレコード
DCフィールド言語
dc.contributor.authorSakai, Tomokoen
dc.contributor.alternative酒井, 朋子ja
dc.date.accessioned2023-04-28T07:01:05Z-
dc.date.available2023-04-28T07:01:05Z-
dc.date.issued2022-09-
dc.identifier.urihttp://hdl.handle.net/2433/281899-
dc.description.abstractThis article examines self-referential humour in narrative accounts about experiences of conflict and community division, based on fieldwork undertaken in an interface area in Belfast in the late 2000s and in the 2010s. It has been a classic approach within anthropological studies of humour and jokes to focus on their socially or politically subversive nature. Some anthropologists, however, have viewed this approach sceptically, pointing out the Janus-faced nature of laughter that can turn against the weak, or the ambiguity that humour carries. Sharing the understanding that ambivalence and ambiguity are humour’s intrinsic features, this article argues that these very features make humour crucial to people’s everyday recollections and interactions in a post-conflict, still-much divided, society. Self-comicalisation helps people produce distance, either from themselves or the social group to which they belong, and direct attention to the absurdity of daily life under a long-term conflict in which mundane, day-to-day concerns and intense violence and suffering all flow in parallel. Jokes and comical storytelling capture this plurality of everyday life, which can be shared across the community division. Through attempting to sound out what could and could not be joked about, moreover, people seek out possible interactions in unfamiliar and uncertain relationships.en
dc.language.isoeng-
dc.publisherEuropean Association of Social Anthropologistsen
dc.rights© The Author(s) 2022en
dc.rightsThis article is available open access under a CC BY 4.0 license as part of Berghahn Open Anthro, a subscribe-to-open model for APC-free open access made possible by the journal’s subscribers.en
dc.rights.urihttp://creativecommons.org/licenses/by/4.0-
dc.subjectambiguityen
dc.subjectconflicten
dc.subjecteveryday experiencesen
dc.subjecthumouren
dc.subjectNorthern Irelanden
dc.titleHumour and the Plurality of Everyday Life: Comical Accounts from an Interface Area in Belfasten
dc.typejournal article-
dc.type.niitypeJournal Article-
dc.identifier.jtitleSocial Anthropology/Anthropologie socialeen
dc.identifier.volume30-
dc.identifier.issue3-
dc.identifier.spage143-
dc.identifier.epage160-
dc.relation.doi10.3167/saas.2022.050402-
dc.textversionpublisher-
dcterms.accessRightsopen access-
datacite.awardNumber17K13588-
datacite.awardNumber21K01082-
datacite.awardNumber.urihttps://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-17K13588/-
datacite.awardNumber.urihttps://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-21K01082/-
dc.identifier.pissn0964-0282-
dc.identifier.eissn1469-8676-
jpcoar.funderName日本学術振興会ja
jpcoar.funderName日本学術振興会ja
jpcoar.awardTitle手工芸による暴力・災禍の記憶表現と地域間対話 --チリのアルピジェラを中心にja
jpcoar.awardTitle原発近隣地域の生活におけるモノ・場所との身体的かかわりja
出現コレクション:学術雑誌掲載論文等

アイテムの簡略レコードを表示する

Export to RefWorks


出力フォーマット 


このアイテムは次のライセンスが設定されています: クリエイティブ・コモンズ・ライセンス Creative Commons