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dc.contributor.authorYAMAMOTO, Hiroyukien
dc.date.accessioned2025-05-23T05:55:16Z-
dc.date.available2025-05-23T05:55:16Z-
dc.date.issued2025-03-
dc.identifier.urihttp://hdl.handle.net/2433/294236-
dc.description.abstractThis article focuses on the Penang-specific popular entertainment form boria to trace the process of integration of Muslim communities of mixed Indian and Malay descent, known as Jawi Pekan, into the Malays in Penang. Introduced to the Malay Archipelago via India, Islamic martyrdom plays developed in Penang by the end of the 19th century as boria, a popular entertainment characterised by its improvised lyrics, drama, and band performances. Early boria was considered a ritual for Indian Muslims living abroad but was not popular among the Malays. Some Malays called for the abolition of boria citing constant fights between bands, even though boria was considered a celebration for Malays in Penang in the early 20th century. This article examines attempts to make boria respectable and acceptable to society. Based on articles published in 20th-century newspapers, this article demonstrates that the society began accepting boria following the organisation of competitions and performances at commercial amusement parks and state ceremonies.en
dc.language.isoeng-
dc.publisher京都大学東南アジア地域研究研究所 共同利用・共同研究拠点「グローバル共⽣に向けた東南アジア地域研究の国際共同研究拠点 (GCR)」ja
dc.publisher.alternativeGlobal Collaborative Research (GCR) Center for Southeast Asian Studies, Kyoto Universityen
dc.titleFrom Boorish Bands to Community Voice Tools: Transformation and Acceptance of Boria in Penang in Early 20th Centuryen
dc.typeresearch report-
dc.type.niitypeResearch Paper-
dc.identifier.jtitleGCR Working Paper Series No. 3 : Performing Arts in Contemporary Southeast Asiaen
dc.identifier.volume3-
dc.identifier.spage47-
dc.identifier.epage79-
dc.textversionpublisher-
dc.sortkey03-
dc.addressAssociate professor at the Center for Southeast Asian Studies (CSEAS), Kyoto Universityen
dc.identifier.selfDOI10.14989/GCRWPS_03_47-
dcterms.accessRightsopen access-
出現コレクション:No. 3 : Performing Arts in Contemporary Southeast Asia

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