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dc.contributor.author井波, 陵一ja
dc.contributor.alternativeInami, Ryoichien
dc.contributor.transcriptionイナミ, リョウイチja-Kana
dc.date.accessioned2008-11-05T07:14:20Z-
dc.date.available2008-11-05T07:14:20Z-
dc.date.issued2004-03-10-
dc.identifier.issn0304-2448-
dc.identifier.urihttp://hdl.handle.net/2433/66874-
dc.description.abstractThis essay is mainly about studies of Walter Benjamin in China. The discussion focuses on the Chinese translation of Benjamin's writings and the interpretation of his critical voices. On the whole, Chinese scholars show deep interest in The Work of Art in the Age of Its Technological Reproducibility, because it seems to touch on the essence of artistic activities in the high capitalism. In contrast to this, they show little interest in Critique of Violence and Berlin Childhood around 1900. "Waking up from the era of bourgeoisie", written by Zhang Xu-dong who is the first translator of Benjamin's writings, discusses the self-satisfied understanding in the latter half of the 1980 s. The 1989 Tiananmen incident has brought its weakness into sharp relief. After the 1990 s, he says, reading Benjamin's writings will lead the Chinese to thinking about the social and cultural contradiction in contemporary China.en
dc.format.mimetypeapplication/pdf-
dc.language.isojpn-
dc.publisher京都大學人文科學研究所ja
dc.publisher.alternativeInstitute for Research in Humanities, Kyoto Universityen
dc.subject.ndc220-
dc.title中國におけるヴァルター・ベンヤミン研究についてja
dc.title.alternativeStudies on Walter Benjamin in Chinaen
dc.typedepartmental bulletin paper-
dc.type.niitypeDepartmental Bulletin Paper-
dc.identifier.ncidAN00167025-
dc.identifier.jtitle東方學報ja
dc.identifier.volume76-
dc.identifier.spage256-
dc.identifier.epage312-
dc.textversionpublisher-
dc.sortkey07-
dc.identifier.selfDOI10.14989/66874-
dcterms.accessRightsopen access-
dcterms.alternative中国におけるヴァルター・ベンヤミン研究についてja
dc.identifier.pissn0304-2448-
dc.identifier.jtitle-alternativeThe Tôhô Gakuhô : Journal of Oriental Studiesen
出現コレクション:第76册

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