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ASM_17_59.pdf | 437.69 kB | Adobe PDF | 見る/開く |
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DCフィールド | 値 | 言語 |
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dc.contributor.author | NA'ALLAH, Abdul-Rasheed | en |
dc.date.accessioned | 2008-11-18T09:47:46Z | - |
dc.date.available | 2008-11-18T09:47:46Z | - |
dc.date.issued | 1996-10 | - |
dc.identifier.issn | 0285-1601 | - |
dc.identifier.uri | http://hdl.handle.net/2433/68145 | - |
dc.description.abstract | With evidence presented by Samuel Johnson, S. F. Nadel and Oludare Olajubu on the origin of Egungun, the African cultic masquerade in Nigeria, it can be concluded that Egungun originated from the Nupe culture, contrary to the popular belief that it took root from Yoruba religion. Nupe people actually seem to have used Egungun bamboozle and harass other ethnic groups around them. The author advocates, that in place of the present over-romanticization of the Egungun tradition, the cult needs scrutiny from oppressive and exploitative perspectives. African artists should explore African history and culture only from progressive and functional paradigms. | en |
dc.format.mimetype | application/pdf | - |
dc.language.iso | eng | - |
dc.publisher | The Center for African Area Studies, Kyoto University | en |
dc.publisher.alternative | 京都大学アフリカ地域研究資料センター | ja |
dc.subject | Egungun | en |
dc.subject | Cultic masquerade | en |
dc.subject | Nupe | en |
dc.subject | Yoruba | en |
dc.subject | Dadakuada | en |
dc.subject | Nigeria | en |
dc.subject.ndc | 240 | - |
dc.title | The Origin of Egungun: A Critical Literary Appraisal | en |
dc.type | journal article | - |
dc.type.niitype | Journal Article | - |
dc.identifier.ncid | AA10626444 | - |
dc.identifier.jtitle | African Study Monographs | en |
dc.identifier.volume | 17 | - |
dc.identifier.issue | 2 | - |
dc.identifier.spage | 59 | - |
dc.identifier.epage | 68 | - |
dc.textversion | publisher | - |
dc.sortkey | 01 | - |
dc.address | University of Alberta | en |
dc.identifier.selfDOI | 10.14989/68145 | - |
dcterms.accessRights | open access | - |
dc.identifier.pissn | 0285-1601 | - |
出現コレクション: | Vol.17 No.2 |

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