1. Kyoto University Research Information Repository
  2. 320_Institute for Research in Humanities
  3. ZINBUN
  4. No.39
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    Permalink : https://doi.org/10.14989/71090
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dc.contributor.authorOkada, Akeoen
dc.contributor.alternative岡田, 暁生ja
dc.contributor.transcriptionオカダ, アケオja-Kana
dc.date.accessioned2009-03-18T09:00:16Z-
dc.date.available2009-03-18T09:00:16Z-
dc.date.issued2007-03-
dc.identifier.issn0084-5515-
dc.identifier.urihttp://hdl.handle.net/2433/71090-
dc.format.mimetypeapplication/pdf-
dc.language.isodeu-
dc.publisherJinbun kagaku Kenkyusho, Kyoto Universityen
dc.publisher.alternativeInstitute for Research in Humanities Kyoto Universityen
dc.rights© Copyright March 2007, Institute for Research in Humanities Kyoto University.en
dc.titleRezeption der französichen Musik in Japan der Vorkriegszeit als musikalisches Identitätsproblemde
dc.typedepartmental bulletin paper-
dc.type.niitypeDepartmental Bulletin Paper-
dc.identifier.ncidAA00498213-
dc.identifier.jtitleZINBUNen
dc.identifier.volume39-
dc.identifier.spage11-
dc.identifier.epage17-
dc.textversionpublisher-
dc.sortkey03-
dc.identifier.selfDOI10.14989/71090-
dcterms.accessRightsopen access-
dc.identifier.pissn0084-5515-
Appears in Collections:No.39

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