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| ファイル | 記述 | サイズ | フォーマット | |
|---|---|---|---|---|
| 1_Ikeda.pdf | 488.99 kB | Adobe PDF | 見る/開く |
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| DCフィールド | 値 | 言語 |
|---|---|---|
| dc.contributor.author | 池田, 真治 | ja |
| dc.contributor.alternative | IKEDA, Shinji | en |
| dc.contributor.transcription | イケダ, シンジ | ja-Kana |
| dc.date.accessioned | 2010-02-23T06:06:38Z | - |
| dc.date.available | 2010-02-23T06:06:38Z | - |
| dc.date.issued | 2010-02 | - |
| dc.identifier.uri | http://hdl.handle.net/2433/98003 | - |
| dc.description.abstract | What kind of rationality did Leibniz esteem on the level of sensation? In this essay, I will try to answer this question, from the aspect of his theory of sensation, by focusing on his idea of image and abstraction. In fact, Leibniz did not regard the role of sense perception merely as an occasion of having knowledges, for he says: “it‟s by an admirable economy of the nature that we cannot have abstract thoughts which do not require any sensible things”. It means we should see behind his theory of sensation an insight into the harmony between experience and reason. | en |
| dc.language.iso | jpn | - |
| dc.publisher | 京都大学大学院文学研究科哲学研究室 | ja |
| dc.subject.ndc | 100 | - |
| dc.title | イマージュと抽象 - ライプニッツの感覚論と調和の思想 - | ja |
| dc.title.alternative | Image and Abstraction: Leibniz's Theory of Sensation and his Thought of Harmony | en |
| dc.type | departmental bulletin paper | - |
| dc.type.niitype | Departmental Bulletin Paper | - |
| dc.identifier.ncid | AA11362712 | - |
| dc.identifier.jtitle | 京都大学文学部哲学研究室紀要 | ja |
| dc.identifier.volume | 12 | - |
| dc.identifier.spage | 1 | - |
| dc.identifier.epage | 17 | - |
| dc.textversion | publisher | - |
| dc.sortkey | 01 | - |
| dc.relation.url | http://www.philosophy.bun.kyoto-u.ac.jp/prospectus/ | - |
| dcterms.accessRights | open access | - |
| dc.identifier.jtitle-alternative | Prospectus | en |
| 出現コレクション: | No.12 | |
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