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dc.contributor.author山沢, 孝至ja
dc.contributor.alternativeYamasawa, Takayukien
dc.contributor.transcriptionヤマサワ, タカユキja-Kana
dc.date.accessioned2010-04-09T10:59:43Z-
dc.date.available2010-04-09T10:59:43Z-
dc.date.issued2010-03-28-
dc.identifier.issn0289-7113-
dc.identifier.urihttp://hdl.handle.net/2433/108528-
dc.description.abstractYamamura Bocho (1884-1924), Japanese poet of high renown, translated in the 1920's forty-five fragments of Anacreon into Japanese, of which six or nine are in the form of dodoitsu (popular verse consisting of 7+7+7+5 morae and characterised by the use of archaico-colloquial expression). His translation is from the English version (Boston 1918) by Walter Petersen, and, regrettably, for the most part full of inaccuracies or deliberate distortions, which lead to the ‘Japanisation' of Anacreon's poetry. The dodoitsu version is no exception (for example, Anacreon throws away his shield, frightened at a ‘ghost-like' reed on the riverbank. Cf. 36b Page). However, Yamamura Bocho's attempt should be highly appreciated, because that was probably the very first time Anacreon, Greek poet of love and wine, duly met dodoitsu, Japanese verse of love and sake.en
dc.format.mimetypeapplication/pdf-
dc.language.isojpn-
dc.publisher京都大学西洋古典研究会ja
dc.publisher.alternativeThe Classical Society of Kyoto Universityen
dc.subject.ndc902-
dc.titleAnacreon をdodoitsu にja
dc.title.alternativeAnacreon's Poems Translated (or Contorted) into Japanese Dodoitsu (7-7-7-5 Popular Verse)en
dc.typedepartmental bulletin paper-
dc.type.niitypeDepartmental Bulletin Paper-
dc.identifier.ncidAN10138475-
dc.identifier.jtitle西洋古典論集ja
dc.identifier.volume22-
dc.identifier.spage306-
dc.identifier.epage319-
dc.textversionpublisher-
dc.sortkey17-
dc.address神戸大学准教授ja
dcterms.accessRightsopen access-
dc.identifier.pissn0289-7113-
dc.identifier.jtitle-alternativeCLASSICAL STUDIESen
出現コレクション:XXII (中務哲郎教授 退職記念号)

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