このアイテムのアクセス数: 274
このアイテムのファイル:
ファイル | 記述 | サイズ | フォーマット | |
---|---|---|---|---|
rcpp11_066.pdf | 562.24 kB | Adobe PDF | 見る/開く |
完全メタデータレコード
DCフィールド | 値 | 言語 |
---|---|---|
dc.contributor.author | Thornbury, Clare | en |
dc.date.accessioned | 2015-04-09T04:09:07Z | - |
dc.date.available | 2015-04-09T04:09:07Z | - |
dc.date.issued | 2012-06-25 | - |
dc.identifier.issn | 1344-7866 | - |
dc.identifier.uri | http://hdl.handle.net/2433/197109 | - |
dc.description.abstract | Charles. S Peirce was one of the founders of Pragmatism, alongside William James and John Dewey. This paper looks at Peirce's later work on his theory of signs, or semiotic. Peirce's semiotic is a broad one, including as signs things that other semioticians may reject. Peirce's semiotic includes a key division of signs into the three categories of Icon, Index and Symbol. This trichotomy and the breadth of Peirce's semiotic makes it well suited to, for example, a semiology of cinema. The basic structure of the sign in Peirce is also triadic, being a relation between sign-object-interpretant, and this brings us to a further appreciation of the sign as sign-action: a move from semiotic to semiosis. | en |
dc.format.mimetype | application/pdf | - |
dc.language.iso | eng | - |
dc.publisher | 京都大学大学院教育学研究科臨床教育学講座 | ja |
dc.publisher.alternative | Chair of Clinical Pedagogy, Graduate School of Education, Kyoto University | en |
dc.title | <Articles>Peirce's General Theory of Signs | en |
dc.type | departmental bulletin paper | - |
dc.type.niitype | Departmental Bulletin Paper | - |
dc.identifier.ncid | AA1159104X | - |
dc.identifier.jtitle | 臨床教育人間学 | ja |
dc.identifier.volume | 11 | - |
dc.identifier.spage | 66 | - |
dc.identifier.epage | 74 | - |
dc.textversion | publisher | - |
dc.sortkey | 09 | - |
dc.address | Institute of Education, University of London | en |
dcterms.accessRights | open access | - |
dc.identifier.pissn | 1344-7866 | - |
dc.identifier.jtitle-alternative | Record of Clinical-Philosophical Pedagogy | en |
出現コレクション: | 第11号 |

このリポジトリに保管されているアイテムはすべて著作権により保護されています。