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dc.contributor.authorThornbury, Clareen
dc.date.accessioned2015-04-09T04:09:07Z-
dc.date.available2015-04-09T04:09:07Z-
dc.date.issued2012-06-25-
dc.identifier.issn1344-7866-
dc.identifier.urihttp://hdl.handle.net/2433/197109-
dc.description.abstractCharles. S Peirce was one of the founders of Pragmatism, alongside William James and John Dewey. This paper looks at Peirce's later work on his theory of signs, or semiotic. Peirce's semiotic is a broad one, including as signs things that other semioticians may reject. Peirce's semiotic includes a key division of signs into the three categories of Icon, Index and Symbol. This trichotomy and the breadth of Peirce's semiotic makes it well suited to, for example, a semiology of cinema. The basic structure of the sign in Peirce is also triadic, being a relation between sign-object-interpretant, and this brings us to a further appreciation of the sign as sign-action: a move from semiotic to semiosis.en
dc.format.mimetypeapplication/pdf-
dc.language.isoeng-
dc.publisher京都大学大学院教育学研究科臨床教育学講座ja
dc.publisher.alternativeChair of Clinical Pedagogy, Graduate School of Education, Kyoto Universityen
dc.title<Articles>Peirce's General Theory of Signsen
dc.typedepartmental bulletin paper-
dc.type.niitypeDepartmental Bulletin Paper-
dc.identifier.ncidAA1159104X-
dc.identifier.jtitle臨床教育人間学ja
dc.identifier.volume11-
dc.identifier.spage66-
dc.identifier.epage74-
dc.textversionpublisher-
dc.sortkey09-
dc.addressInstitute of Education, University of Londonen
dcterms.accessRightsopen access-
dc.identifier.pissn1344-7866-
dc.identifier.jtitle-alternativeRecord of Clinical-Philosophical Pedagogyen
出現コレクション:第11号

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