Downloads: 157

Files in This Item:
File Description SizeFormat 
rcpp12_049.pdf252.1 kBAdobe PDFView/Open
Title: <Articles>Subjectivity of 'Mu-shin' (No-mind-ness) : Zen Philosophy as interpreted by Toshihiko Izutsu
Authors: Nishihira, Tadashi  kyouindb  KAKEN_id
Author's alias: ニシヒラ, タダシ
Issue Date: 6-Aug-2013
Publisher: 京都大学大学院教育学研究科臨床教育学講座
Journal title: 臨床教育人間学
Volume: 12
Start page: 49
End page: 57
Abstract: In this paper, we consider whether there is any subjectivity in the state of Mu-shin (No-mindness)'. Dr. Toshihiko Izutsu, a Japanese philosopher, has tried to answer this question with the example of a master musician absorbed in playing his harp. The master musician is so absorbed in playing and so completely at one with the music itself, that he is no longer conscious of his fingers or of the instrument. But he is not 'unconscious', for he is conscious of himself as identified with the music. Izutsu explained that 'Paradoxical as it may sound, he is so fully conscious of himself as identified with music that he is not "conscious" of his act of playing in any ordinary sense of the word'. Izutsu called this particular phase of 'awareness of self in full identification with music' 'Mu-shin teki Syutaisei (the subjectivity of Mu-shin)'. We may think of this particular phase as that which is prior to the subject-object bifurcation. However, Izutsu taught us that Zen-text has expressed this phase in four different ways, and it is these four types of 'Mu-shin' expression that we consider here.
Appears in Collections:第12号

Show full item record

Export to RefWorks

Export Format: 

Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.