描画解釈における「空間構成」の意義と課題

Abstract

The purpose of this report is to examine the meanings and problems of spatial composition in the interpretation of drawings. There are two methods to draw space, the "Landscape Montage Technique" and the "Room-Drawing-Test". Spatial composition is frequently interpreted with reference to the self or the subject in either cases of the "Landscape Montage Technique" or "Room-Drawing-Test", but there are few studies on the viewpoint itself of spatial composition. This report examined the nature of spaces for drawing and meanings of "composition" and referred that there is difference between the landscape and a room-space, and further mentioned that the point to note was "perspective". When we interpret drawings, we must become conscious of our own premise.