<行為としての演技>からみた心理臨床

Abstract

Recently, not only the content but also the locutionary act is valued in "narrative" studies. The purpose of this paper is to know what meaning is in the act of "narrative" in clinical psychology. I then referred to "drama" and traction" to understand it. I defined a modern action that required independence of subject and role as "Action as role taking" and distinguished it from an action in the former modern age and the post modern drama based on mimesis. I named the latter "Action as performance/acting", "Action as performance/acting" is the managing of creating "I" of the fiction by using the word and the gesture that is besides "I" when "I" becomes an unnamed subject by a natural attitude of "I" being ruined. In doing so, many dynamic "I" are rediscovered or generated from the difference between "I" of the fiction and "I" of unnamed subject. One of the conclusions of this paper is that the act of "narrative" is related to "Action as performance/acting" that generates "I" of the dynamic subject and the self.