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タイトル: | <行為としての演技>からみた心理臨床 |
その他のタイトル: | Clinical psychology understood from "action as performance/acting" |
著者: | 笹倉, 尚子 ![]() |
著者名の別形: | SASAKURA, Shoko |
発行日: | 31-Mar-2008 |
出版者: | 京都大学大学院教育学研究科 |
誌名: | 京都大学大学院教育学研究科紀要 |
巻: | 54 |
開始ページ: | 612 |
終了ページ: | 625 |
抄録: | Recently, not only the content but also the locutionary act is valued in "narrative" studies. The purpose of this paper is to know what meaning is in the act of "narrative" in clinical psychology. I then referred to "drama" and traction" to understand it. I defined a modern action that required independence of subject and role as "Action as role taking" and distinguished it from an action in the former modern age and the post modern drama based on mimesis. I named the latter "Action as performance/acting", "Action as performance/acting" is the managing of creating "I" of the fiction by using the word and the gesture that is besides "I" when "I" becomes an unnamed subject by a natural attitude of "I" being ruined. In doing so, many dynamic "I" are rediscovered or generated from the difference between "I" of the fiction and "I" of unnamed subject. One of the conclusions of this paper is that the act of "narrative" is related to "Action as performance/acting" that generates "I" of the dynamic subject and the self. |
URI: | http://hdl.handle.net/2433/56997 |
出現コレクション: | 第54号 |
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